home  –  new work

 –  visual artist

 

Just passing through
December 6th, 2007

plinth-web.jpg

 

just-passing-through.jpg

 

orange-wall.jpg

 

orange-corner.jpg

 

white-wall-david.jpg

 

white-corner.jpg

 

A collection of unidentified objects hover on the wall. The forms are strange but somehow familiar. They look almost like museum pieces, specimens from some lost civilisation or perhaps even from another world altogether. Yet they are recognisably the product of our commercial, industrial age. (installation detail: plaster castes made from plastic packaging)

Just passing through
fortyfive downstairs
45 Flinders Lane, Melbourne
November 13 - December 8, 2007.
Tuesday - Friday 11 - 5pm
Saturday 12 - 4pm

During 2007, I’ve been walking the streets of the CBD, observing life as a ‘botanist of the pavement’ and collecting discarded items that can be re-purposed - like the plastic packaging used to cast the objects in this show, and flattened cardboard boxes. The boxes are stencilled and then returned to the piles of flattened cardboard stacked on the street for recycling.
Every object has a story.

Bottom photo: David Tattnall

The story of Australian printmaking 1801-2005
May 7th, 2007

The story of Australian printmaking 1801-2005

30 March – 3 June 2007
free exhibition
Australian National Gallery

This landmark exhibition draws almost exclusively from the vast Australasian print collection of the National Gallery of Australia. Included in the exhibition will be, prints by John Lewin, the first printed in the colony, to works by more contemporary artists such as Margaret Preston, Noel Counihan, Bea Maddock, John Brack, Brett Whiteley, and Aboriginal and Torres Strait Islander artists including Dorothy Napangardi and Dennis Nona. Also includes work by Julie Shiels.

Moran Contemporary Photography Prize
February 15th, 2007

local-exchange.jpg

Local Exchange - handmade concertina artist book is a finalist for the Moran Contemporary Photography Prize

Prize winners will be announced at the Opening Night ceremony at the State Library of NSW on Tuesday 13 March, 6-8pm.

More info on the Moran Contemporary Photography Prize website

Art in Public Spaces
February 15th, 2007

tea-small.jpg

Tea Ceremony - 2m X 1 m. various materials

albury.jpg

Come Hither: Interpretations of the Boudoir
February 15th, 2007

come-hither.jpg

Curated by Susi Muddiman: Mananager Wagga Regional Gallery - A collection of work about the bedroom

“Ms Muddiman became intrigued in exploring the historic perception of the boudoir as a room of luxurious femininity,
allure and seduction which is entwined with the literal meaning of the French word bouder, meaning ‘to sulk’ and the
bedroom being a place to escape when in a mood or state of anxiety.”

sunday-best-3.jpg

Discarded Object Poster Project
January 4th, 2007

jan-07.jpg

Discarded Object Poster Project will be launched on the 12/12 at Bus Gallery Studio Space, 6 - 8 pm. Curated by Beth Arnold.

Tours to view the posters around the city will take place on Wednesday 13th and Sat 16th at 12pm, leaving from Bus Gallery.

You can view some of the images submitted and get more information on the project at www.discardedobject.com

Sculpture on the Cliffs
November 30th, 2006

cold-comfort1.jpg

on-the-brink.jpg

Twenty eight artists exhibit their work on the cliffs at Elliston in South Australia until October 2006 to January 2007.

More Afterlife exhibition @ 45downstairs
October 27th, 2006

sunday-best.jpg

 

 

 

Photo: Jarek Luszpinski

Afterlife
September 1st, 2006

Photo: Rachel Taylor

afterlife - @fortyfivedownstairs
August 22nd, 2006

Exhibition Dates
Tuesday August 29 - Saturday September 16 2006
Tuesday - Friday: 11am - 5pm
Saturday: 12pm - 4pm

Exhibition to be launched by Jon Cattapan

I was stencilling stories onto dumped mattresses in the streets of St Kilda when the fabric on their covers caught my eye. A whole history of textile design was going off to the tip. They were too gorgeous to stencil, too precious to leave. So I started collecting mattresses, piling them onto the roof of my car and taking them home. As the garage began to overfl ow I wondered what to do next. I wanted to give these mattresses another life.

I started sewing pyjamas, carefully cutting each garment to fit the cloth avoiding the blemishes where possible but retaining the intimate history. The pyjamas draw our gaze and invite our touch. But as they attract, they also repel, because of their past, their proximity to the skin of a person or persons unknown. They embody someone else’s story but prompt the question “how do you sleep?”

Image: ‘Mitford Street Pyjamas’ 2006 and stencilled backgound

fortyfivedownstairs - 45 Flinders Lane Melbourne